Do you love decay? Old buildings, rust & dust? Toss in some history and you have the Eastern State Penitentiary in Philadelphia. Home briefly to Al Capone and Willie Sutton, ESP was closed down in 1971 and left to decay. It is this decay that is a powerful lure for creative photographers. 

​Walk down the long cell block hallways and explore the various cells. Some still contain old desks, chairs, a barber chair and prisoner belongings. Examine the bricks and locks close up for their textures. Try taking a long exposure with a friend walking through the image - ghostly!

​And then explore the exterior in the setting sun, to capture the golden light on the tall imposing rock walls. Imposing, yet not escape proof!

For this location, I strongly recommend a 10-12mm wide angle lens. A telephoto is a nice addition for dramatic affects along the long cell block hall ways. Most of the interior is dark, lite by skylights and breaks in the roof. A tripod is a must (small extra fee). And be sure to recharge your camera battery (and carry a spare) and an extra SD card.
​
View my images of the Eastern State Penitentiary on Flickr and add the Eastern State Penn. to your photography destination list.

One of the challenges in photography is shooting in low light situations. How do you take creative and beautiful photographs in museums, concerts, gymnasiums, restaurants or other places where you don't have (or don't want) a tripod and using a flash is not permitted?

Let me introduce you to the "ISO Escalator" technique.  To my knowledge, this is a term that I coined a few years ago when I began to teach students how to leverage ISO to handle low light photography. If you want to learn more about ISO in general, review ISO Settings in Digital Photography, Digital Photography School.

​One note on using Flash in low light situations.  Don't!  Flash kills the mood, may not be permitted and will annoy everyone around you. Also, please turn off Auto ISO.

The concept for the ISO Escalator is to determine the slowest shutter speed that you need for your shots, and yet be fast enough to avoid shaky/blurring pictures.  Then determine what the best ISO to use, based on a room or space that is perhaps the darkest situation you plan to shoot at. 

Imagine being in restaurant with just the ambient lights turned low for a nice mood.  That is most likely your average or worst case lighting. In a Gallery or a Museum, one of the rooms where there may not be ambient light from outside windows.

Once you determine the correct ISO, you should be able to shoot in the space (and adjoining rooms) without thinking about anything but your composition.  In our workshops, we teach that it is important to keep photography fun. This technique allows you to have fun, while knowing your photos are likely to come out looking nice, without the typical blur-shakiness we have all experienced. 
  
This is an example of using the ISO Escalator in a reptile room at a Zoo. 

​
​Let's get started: 

1. Set your camera mode to Shutter Priority (S for Nikon,  Tv for Canon). This mode allows you to set the shutter speed, while allowing the camera's metering system to select the best aperture.  You are (hopefully) aware that Aperture Priority (A for Nikon / Av for Canon), allows you to set the aperture, while your camera sets a corresponding shutter speed.
2. Determine the slowest or best shutter speed for your photography. If you are using a light weight lens, such as a 55mm or the 18-55 kit lens, and you subject is not moving, you could shoot at 1/60th of second. This is ideal for museums or restaurants. If you are shooting action, such as an energetic rock band or a sporting event, you may need to be shooting at 1/125 or 1/250 (or more). In other words, set the shutter speed to the slowest speed to match your subject. Even for most sports, you rarely will need to exceed 1/500th of a second.                     
   
   Note on minimum shutter speeds and lenses: Vibration Reduction (Image Stabilization - VR/IS) aside, the rule of thumb for determining the slowest speed for any lens is the   reciprocal of the lens focal length (mm).  Simply put, if you are using a 200mm lens, your slowest shutter should be around 1/200,  400mm =1/400th.  VR/IS allows you to shoot  a few stops (slower shutter speeds) - but I like to suggest following this rule if you are new to DSLR photography.
3. Set your ISO to 400 and take a test photo.  Examine the photo and if it is dark, set your ISO to 800  (use the full ISO numbers ie  200/400/800/1600....). Take the same photo - and repeat until you have a nicely lite picture. Don't go to high with your ISO - don't lose the mood.  

In the example above in the reptile room. I was using a 200mm lens, so I set my shutter to 1/200th - and worked my way up the escalator  (now you know why I call it the ISO Escalator).  At 3200, the subject looked well lite. I went one more stop (ISO 6400) and thought it was too bright, so I reset my ISO back to 1600 - and focused on composing pictures in this darkened room.  

Recap: Try it yourself in your dining room or other interior space, with the lights dimmed.  

• Set your camera to shutter priority
• Set your shutter speed to the slowest reasonable speed  ie:  1/60th
• Set your ISO to 400 and take a test photo.  If the image is dark, change to the next ISO and repeat.

Once you have the right ISO - wander around your house taking photos, not thinking about ISO or shutter speed. Fun right? 
​
Let me know if this simple technique has helped  you to improve your low light photography.